Cropped by Allison Grayhurst

Incessant noises, beating
down my glow – airplanes and dogs
voicing their aggressive anxiety. Too much
space to fill with disembodied eyelids – except to say,
I am better off knowing what to hide and with whom.
Everyone I talk to insulates me, be it in vast or narrow
confines. I don’t need to suffer or hunger for what is not mine
or for an intimacy more accurately labelled illusion.
Animals walk by me and I am drawn into their interiors.
I am drawn to look through the physicist’s window and laugh
at certain logic used to dismiss the ranks of God
and creatures that gallop, burn-up in back alleyways, escaping definition.
I don’t know if sand is like stars, but it is a fragrant research to find out,
fumbling with layers, branching out on tiptoe.
It is a pistil attracting pollen, a prescription to illuminate grief and cherishing.
Just as when faced with illness, the superfluous gets skimmed,
it is essential to honour the need for certainty in all forms of love,
it is essential to see that which struggles always ends up shivering in its bonds,
eventually learns that letting go is a prerequisite before achieving threshold, before
the welling up, the grand unshackling groan
of a peace-inducing
implosion.

Allison Grayhurst is a member of the League of Canadian Poets. She has over 500 poems published in international journals and anthologies. She has eleven published books of poetry and five collections, as well as six chapbooks and one e-chapbook. She lives in Toronto with her family. She also sculpts, working with clay; www.allisongrayhurst.com

Allison Grayhurst is a member of the League of Canadian Poets. She has over 500 poems published in international journals and anthologies. She has eleven published books of poetry and five collections, as well as six chapbooks and one e-chapbook. She lives in Toronto with her family. She also sculpts, working with clay; http://www.allisongrayhurst.com

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